Frankenstein compares himself to Milton's Satan, he seems to consider himself justly damned: All my speculations and hopes are as nothing, and like the archangel who aspired to omnipotence, I am chained in an eternal hell. P., The Gothic Flame (London: Arthur Barker, 1957). It is not a clean case of uniting two polar opposites because simultaneous with the acquisition of creative reason is the development of basic animal instincts into abstract people-centred emotions. However the creatures sympathy points were not countered by unsympathetic points, thus this leads to believe that the sympathies of the reader were aimed at the Creature and the wasteful, unloved for life it led. But my form is a filthy type of yours, more horrid from its very resemblance.
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After leading a life of unhappiness he destroyed himself. D., The Nascent Mind of Shelley (Oxford: Clarendon Press, 1971). Frankenstein himself likens his progeny to 'my own vampire, my own spirit let loose from the grave and forced to destroy all that was dear to me' ( 57 ). 32 William Blake 's illustrations in The Book of Urizen depict Urizen as a white-bearded old man akin to the God of Genesis. Mary used the theatre model of the eighteenth century aesthetics to illustrate the extension and frustration of the creature's sympathies. 40 Knight's Quarterly Magazine, iii, (1824. The dying Frankenstein tells Walton: During these last days I have been occupied in examining my past conduct; nor do I find it blamable. ( 198 ) 17 His language is sacrificial and reflects the conclusion of Byron 's Prometheus, written in the same summer as Mary began Frankenstein. Cantor,., Creature Creator: Mythmaking English Romanticism (Cambridge: Cambridge University Press, 1984). She wished to portray Frankenstein as the scheming ethos pathos logos persuasive essay small man, the arrogant student who gets more than he bargained for. Frankenstein's narrative represents and endorses the message of Paradise Lost in a mundane setting, casting himself as Adam and his father as a kind of God figure. The secular tradition is perhaps the one in which Frankenstein fits best.
38 However, Frankenstein only perceives his progeny as Death itself, who in Paradise Lost is the inverse of Christ and the incestuous union of Satan and his daughter Sin. THE human condition 20 Northrop Frye concludes that the Miltonic allusions throughout Frankenstein 'indicate that the story is a retelling of the account of the origin of evil in a world where the only creators that we can locate are human ones'.